Annotating My Brother’s Book: Some initial thoughts on Sendak’s use of Blake’s pictorial language. A guest post by Mark Crosby
In his foreword to My Brother’s Book (2012), Stephen Greenblatt suggests that Shakespeare is the major influence on Maurice Sendak’s final competed work. But Blake loomed much larger in Sendak’s visual imagination. He collected rare Blake manuscripts, drawings, watercolors, illuminated books, and prints, read biographies of Blake, and studied his art and poetry. In this