He’s famous for Harold and the Purple Crayon (1955) and the comic strip Barnaby (1942-1952), but Crockett Johnson wrote an earlier strip – one that was popular enough to feature in a series of Ford advertisements in the late 1940s.  Popularly known as The Little Man with the Eyes, Johnson’s strip ran in Collier’s from March
This isn’t the only kind of “pie” that Crockett Johnson was interested in. In addition to “all nine kinds of pie that Harold likes best,” Johnson also drew inspiration from π (3.14159265…) – the ratio of a circle’s circumference to its diameter. In early 1968, he began the project of “squaring the circle,” constructing a
As has been noted previously on this blog, a color Sunday Barnaby ran from 1946 to 1948 – apt, because when in 1942 Crockett Johnson showed cartoonist (and PM Art Editor) Charles Martin a Sunday strip, Martin then shared the strip with PM Comics Editor Hannah Baker.  She decided to run it, beginning Barnaby‘s ten-year run.  Apart from these
As I wait to hear back from my editor (latest revision submitted January 1st), I continue to tinker with the biography of Crockett Johnson and Ruth Krauss. Does my manuscript’s silence on the homosexuality of two important figures – Maurice Sendak (who illustrated nine of Ruth’s books) and Ursula Nordstrom (editor of Ruth, Dave, Maurice) –
Following the deaths this month of Brian Jacques, Janet Schulman, and Margaret K. McElderry, we turn to the last words of those who wrote for the young – Seuss, Dahl, Thurber, Montgomery, Nesbit, Charles M. Schulz, Crockett Johnson, and others. “Yes. I’m not going to die tomorrow.” – Dr. Seuss (Theodor Seuss Geisel, 1904-1991) “Ow,
“Barnaby exclusively in the Chicago Sun!” Here’s a photo of a Chicago Sun delivery truck in the 1940s. The occasion for sharing the photo is the quest for original Barnaby strips! Â As readers of this blog know, Eric Reynolds and I are co-editing The Complete Barnaby for Fantagraphics. Â We’re currently working on gathering strips from
In a tribute to the Barnaby fan clubs of the 1940s, Del Rey created its own “Barnaby International Fan Club” – or, at least, the laminated plastic card announcing such a club – to promote the six Barnaby volumes it published in 1985 and 1986.  Here’s the front of the card: Here’s the  back: Del
This appears in the 1969 catalogue for Weston Woods Studios. As far as I know, Crockett Johnson said these words on no other occasion. He did, in 1943, tell journalist Charles Fisher, “I don’t draw or write Barnaby for children. People who write for children usually write down to them. I don’t believe in that”
Yesterday, I sent off (what I hope is) the final revision of the manuscript for my biography of Crockett Johnson and Ruth Krauss. After I did, I began reading Storyteller: The Authorized Biography of Roald Dahl (2010), which Donald Sturrock (the author) begins by describing his own relationship with his subject. It helped me understand
In the late 1950s and early 1960s, Crockett Johnson worked with Lou Bunin on some television advertisements. Â But he had a hard time taking Madison Avenue seriously, as indicated by his parody of an ad for Bosco chocolate syrup (below). Â Though it’s undated, Johnson (known to his friends as “Dave” ) seems to have sent