Emily’s Library, Part 4: Ten Alphabet Books

Continuing my series on building the “perfect” children’s library (for criteria, see first post), here are some great alphabet books.  The first post listed Dr. Seuss’s ABC (1963), Crockett Johnson’s Harold’s ABC (1963), and Bill Martin, John Archambault, & Lois Ehlert’s Chicka Chicka Boom Boom (1989).  Here are ten more alphabet titles I’ve recently sent

Mr. O'Malley, as drawn by Crockett Johnson, 1962

Crockett Johnson draws Mr. O’Malley, 1962

Cushlamochree!  It’s a portrait of Barnaby’s fairy godfather, Mr. O’Malley, in … 1962!  Yes, 1962 – which makes it unusual for several reasons.  First, Crockett Johnson didn’t draw Barnaby for its 1960-1962 revival.  Warren Sattler did.  Second, it’s a bit looser than Johnson’s drawings of O’Malley during Barnaby‘s original 1942-1952 run.  As a result, you can see

Congratulations, Caldecott Losers!

In terms of number of Caldecott Medals won, you are now tied with Dr. Seuss.  And Crockett Johnson.  And Wanda Gág, Eric Carle, Esphyr Slobodkina, James Marshall, Donald Crews, Jon Agee, Tim Egan, Peter Sís, Lane Smith, Barbara Lehman, Mo Willems, Lois Ehlert, Leo Lionni, and H.A. Rey.  None of them won the Caldecott Medal,

Harold mural at Ben Franklin School, Norwalk, Connecticut. Photo by Jackie Curtis.

Harold and the School Mural

Harold takes his purple crayon to the walls of the Ben Franklin School, on Flax Hill, in Norwalk, Connecticut. The school houses the Head Start program. I’m told that the mural was painted by employees of Pepperidge Farm. The photos are all courtesy of Jackie Curtis, a friend of Ruth and Dave – a.k.a. Ruth

Dr. Seuss on “conditioned laughter,” racist humor, and why adults are “obsolete children”

In 1952, Dr. Seuss published an essay in which he pointedly critiqued racist humor. True, his own work – both before and after then – did contain stereotypes. In an essay that’s been languishing at American Quarterly since August 2010, I examine the conflict between Seuss’s progressive impulses and a visual imagination steeped in early