What makes an award-winner?  One of the best picture books of 2008, Kadir Nelson’s We Are the Ship: The Story of Negro League Baseball (2008) won neither the Caldecott Medal nor a Caldecott Honor. The following year, Jerry Pinkney became the first African American to win the Caldecott Medal – “given to the artist of the
Since “Metafiction for Children: A User’s Guide” went up yesterday (as the final entry on In Media Res’ “Children’s Culture” week), I’ve been pleased by people’s kind response to my amateur video. Thanks, everyone! There are far more books than I could include in the film, and there were several I had not thought of.
With a nod to the survival of the U.S. auto industry, here’s an ad campaign from when American automakers were thriving. Â Created for Ford in 1947-1948, Crockett Johnson based these ads on his untitled cartoon, popularly known as The Little Man with the Eyes, which ran in Collier’s from 1940 to 1943. Â In each cartoon,
Part children’s book and part lesson in twentieth-century artistic movements, Stephen T. Johnson’s A is for Art: An Abstract Alphabet is at the avant-garde of alphabet expressionism. Cubism is here, but the work explores the influence of dada and its children–surrealism, pop art, and conceptual art–and other styles such as abstract expressionism and color field
War is hell.  If General Sherman (and, I expect, many others) hadn’t said it first, I suspect Suzanne Collins might have chosen those three words as a subtitle for her Hunger Games trilogy.  As its predecessors did, Mockingjay dramatizes the physical and emotional consequences of war.  It’s especially adept at displaying the scars invisible to those of
Though they had lived together since 1940 and married in 1943, this 1944 photograph is the first one to include both Crockett Johnson and Ruth Krauss. Â Taken by Frank Gerratana, it appeared in the Sunday Herald (Bridgeport, Conn.) of October 1, 1944. Â In my biography of Johnson and Krauss, I’m using a print of the
Sometimes, a new course draws on my expertise. Other times, a new course is a chance for me to develop that expertise. This class — “Censoring Children’s Literature” — is definitely the latter. I have an interest in the subject, and I’ve tried to structure the syllabus around major issues concerning the regulation of what
Random House’s newly updated Seussville website – featuring my biography and timeline – recently went live. This is the first time I’ve written a piece for a corporation, but Dr. Seuss did it all the time. Though he published his first children’s book in 1937, he made his living through advertising … until the bestselling The
With the fall term imminent (starts Monday), I’m posting a link to the latest iteration of my English 545: Literature for Adolescents. My goal is always “diversity” in many senses of that word.  We read books by writers of different backgrounds (African-American, Iranian, Chinese-American, Latino, Caucasian), genders, sexualities, classes — which are probably the categories most
Comedy is hard. Lane Smith makes it look easy. I’m not going to reveal the punch line to his latest, It’s a Book, because I don’t have to: There are plenty of amusing moments along the way. When the jackass asks, “Where’s your mouse?” Smith provides a wordless page in which a mouse emerges from
