An update. Shortly after yesterday’s blog post, my editor said I could go ahead and send it all in. This means either that he (or someone else) will now seek places to cut or that it’s moving ahead to the copy-editing stage. Either way, it’s off my desk until [unknown date]! With a mixture of
On Monday, I finished the eighth edit of The Purple Crayon and a Hole to Dig: The Lives of Crockett Johnson and Ruth Krauss, and sent it to my editor. I’m really happy with all of the edits I’ve made. I finally understand his advice, and have cut anything that feels purely “completist,” and focused
The good news. I’m making progress, and – currently up to Chapter 20 (of 28) – have cut far more (already) than I did on the last round of revisions. I have a clearer sense of The Purple Crayon and a Hole to Dig: The Lives of Crockett Johnson and Ruth Krauss (UP Mississippi, June 2012).
If the Drying-Paint Watchers’ Association has a website, they’re about to face some competition! I’m publishing more cuts from the biography of Crockett Johnson and Ruth Krauss (due out from UP Mississippi next year). Â Today, we’ll look at some of the notes I’ve omitted. Â I’ve also been making cuts to the body of the manuscript,
A Crockett Johnson–Ruth Krauss biography update with good news, thanks, and apologies. Â Let’s do the apologies first. Apologies. Â It was unprofessional of me to air this disagreement publicly. Â It’s one thing to blog about the editing process, and another to air one’s editorial differences in a public forum. Â I’ve already apologized to my editor (who
I haven’t blogged about the biography of Crockett Johnson and Ruth Krauss for a while because I’ve been waiting. Â I sent in the latest version of the manuscript back on the first of the year; my editor finally read it in late March, and sent it out to a reader. Â I received the reader’s report
As I wait to hear back from my editor (latest revision submitted January 1st), I continue to tinker with the biography of Crockett Johnson and Ruth Krauss. Does my manuscript’s silence on the homosexuality of two important figures – Maurice Sendak (who illustrated nine of Ruth’s books) and Ursula Nordstrom (editor of Ruth, Dave, Maurice) –
Following the deaths this month of Brian Jacques, Janet Schulman, and Margaret K. McElderry, we turn to the last words of those who wrote for the young – Seuss, Dahl, Thurber, Montgomery, Nesbit, Charles M. Schulz, Crockett Johnson, and others. “Yes. I’m not going to die tomorrow.” – Dr. Seuss (Theodor Seuss Geisel, 1904-1991) “Ow,
Last week, I finally finished Donald Sturrock’s Storyteller: The Authorized Biography of Roald Dahl. I highly recommend it. In addition to being well-written and carefully researched, it’s a heck of a story. In it, you’ll encounter such facts as these: During World War II, Dahl was a spy. (This has previously been documented in Jennet
Yesterday, I sent off (what I hope is) the final revision of the manuscript for my biography of Crockett Johnson and Ruth Krauss. After I did, I began reading Storyteller: The Authorized Biography of Roald Dahl (2010), which Donald Sturrock (the author) begins by describing his own relationship with his subject. It helped me understand