As mentioned in Emily’s Library, Part 1, one reason for including these is that they’re multi-lingual, but another is that they’re compelling works of narrative art. They highlight art’s centrality to the picture book itself. To restate what I noted in yesterday’s post, art is so central to the picture book that, as part of
Welcome to a new feature on Nine Kinds of Pie: “Emily’s Library.†It’s named for my eight-month-old niece, and it will feature only the very best children’s books.
For those who may be heading to the MLA in Seattle (5-8 Jan. 2012), here’s a list of all the panels on either children’s literature or comics/graphic novels. I count sixteen panels exclusively devoted to one or more of these subjects, and an additional nine panels in which one ore more paper addresses either children’s
With thanks to the Children’s and Adolescent Literature Community (ChALC) for organizing the event and the Manhattan Public Library for hosting it, we held aMock Caldecott at this afternoon. Of course, we weren’t able to get all of the books we wanted to look at – so, there are certainly Caldecott candidates we didn’t get to review. Here are the top
As has been noted twice before on this blog (see here and here), a color Sunday version of Crockett Johnson‘s Barnaby ran from 1946 to 1948. Courtesy of Colin Myers, here’s a full-page one from the winter of 1948. Though it’s undated, “winter” would have to be January or February because the color Barnaby concluded
Since people have asked to be kept informed, “Radical Children’s Literature Now!” — Julia Mickenberg‘s and my article — is out in the latest issue of the Children’s Literature Association Quarterly. Â Here are the first two paragraphs and their respective footnotes: Â Â Â Â Â Â Â Â Â Â Focusing on literature for younger children published in the last decade–as well as on
The headline reads “Occupying children’s minds: ‘Radical children’s literature at Wall Street protests.’”  Featured prominently is Julia Mickenberg’s and my Tales for Little Rebels.  After reading the piece (though, not, I suspect, the book itself), one commenter, writing under the name of “forcerecon2,” worrries that Tales for Little Rebels represents “the indoctrination of our children.”  Coming from the left but
Bumble-Ardy gets adopted by his Aunt Adeline after his “immediate family gorged and gained weight. / And got ate.” When he throws himself a birthday party without her permission, Aunt Adeline threatens his guests: “Scat, get lost, vamoose, just scram! / Or else I’ll slice you into ham!” On the next two-page spread, Bumble tells
On her blog today, Anita Silvey asks her “readers to weigh in with their list of five books that they can’t live without or the ones they read again and again.” So, first, let me encourage you to weigh in over on her blog. As soon as this post is up, I’ll do the same.
Soon after its publication in the fall of 1936, the title character of Munro Leaf’s Ferdinand began to take on a life of his own. Since the story is set in Spain and the book appeared just months after the start of the Spanish Civil War, people began to speculate on Ferdinand’s political allegiance, labeling him