For those heading to the MLA in Boston (3-6 January 2013), here’s a handy list of panel sessions on either children’s literature or comics/graphic novels. Â I compiled the list below by searching the MLA’s program for children’s literature (so, I may have missed some), and by re-posting the comics/graphic novels sessions from the MLA Comics/Graphic
With thanks to the Children’s and Adolescent Literature Community (ChALC) for organizing the event and the Manhattan Public Library (especially Melendra Sanders) for hosting it, we held a Mock Caldecott at this afternoon. We weren’t able to get all of the books we wanted to look at, and we likely overlooked other Caldecott contenders. But, based on what we did get to review, here
In America, children generally do not grow up with Tove Jansson’s Moomins as part of their childhood. Why is this? In other parts of the world, the Moomins are well-known and loved. There have been several animated television series made in countries as different as Japan, Sweden, and even the Soviet Union. There’s an amusement
There are a lot of modernist children’s books, and a fair few directly influenced by the historical avant-garde – and, yes, I am sharing images, below.  I learned about these books (and a great deal more) last week at Children’s Literature and the European Avant-Garde, a conference at Linköpings University, in Norrköping, Sweden.  You would
It’s Labor Day. Â Looking for a pro-labor novel for older children/young adults? Â Thanks to Archive.org, you can download (for free) the full text of The Company Owns the Tools, a 1942 novel written by Henry Gregor Felsen (1916-1995) under the pseudonym Henry Vicar. Here’s what Julia Mickenberg has to say about the book in her
What happens to the odd bits of knowledge you accumulate while traveling? Unless you write them down, much vanishes. So, here are a few things I learned while traveling in Switzerland, France, and Norway during the past ten days. 1. The Basilisk originates in Basel, Switzerland. You know the basilisk from Harry Potter and the
As you may have heard by now, Remy Charlip has passed away at the age of 83. The author of Fortunately (1964), Arm in Arm (1969), Thirteen (1975) and many others, Charlip was also a dancer, choreographer, and the model for Brian Selznick’s rendition of Georges Méliès in The Invention of Hugo Cabret. He was
Maurice Sendak, Ellen Levine, Jean Craighead George, Leo Dillon, and now Jose Aruego. Â It’s been an all-too-mortal year for children’s books. Â Mr. Aruego died on August 9, his 80th birthday. I never met Mr. Aruego, but he did kindly grant Julia Mickenberg and me permission to use his illustrations for Charlotte Pomerantz’s The Day They
In remembrance of a great university press, I’m posting: my essay, “‘You Say ‘Jelly,’ I Say ‘Jello’?: Harry Potter and the Transfiguration of Language,” and a full list of each difference between the Bloomsbury (UK) and Scholastic (US) editions of J.K. Rowling’s Harry Potter books — well, to be accurate, the first three Harry Potter books, and
Need an antidote to pseudoscience (“creation science,” “intelligent design,” climate change denial)? Try a few pages from Munro Leaf’s Science Can Be Fun (1958). In its simplified, matter-of-fact approach, the book offers a model of scientific thinking, encouraging readers to observe, measure, and test hypotheses. Most importantly, it points out that science is based upon