Those of us who read, create, study, or teach children’s literature sometimes face skepticism from other alleged adults. Why would adults take children’s books seriously? Shouldn’t adults be reading adult books? There are many responses to these questions: Children’s books are the most important books we read because they’re potentially the most influential books we
This is the latest installment in my ongoing series of The Best Books for Young Readers. As I noted in the first post, I’m trying to assemble the ideal library for my niece, who turns 2 this month. I recognize that what I consider “ideal” or “best” may be idiosyncratic, but since I do have
Laurie Penny calls Steubenville’s “rape culture’s Abu Ghraib moment.” As she says, “The pictures from Steubenville don’t just show a girl being raped. They show that rape being condoned, encouraged, celebrated.” In calling it the “Abu Ghraib moment” for rape culture, Penny says, “It’s the moment when America and the world are being forced, despite
In his foreword to My Brother’s Book (2012), Stephen Greenblatt suggests that Shakespeare is the major influence on Maurice Sendak’s final competed work. But Blake loomed much larger in Sendak’s visual imagination. He collected rare Blake manuscripts, drawings, watercolors, illuminated books, and prints, read biographies of Blake, and studied his art and poetry. In this
Happy Birthday to Dr. Seuss today! What do we know about Ted and birthdays? We know that he wrote a birthday book. Published on August 12, 1959, Happy Birthday To You was Ted’s first book with completely new characters in two years (since the Grinch–the two books that were published in between returned to previously created
Occasionally, publishers and authors send me children’s books. When time and interest coincide (alas, too infrequently), I review them and post my reviews here. More often, I write reviews of books I’ve bought. I do not review children’s-book-related tie-ins. I view such products with some skepticism, and have written critically about merchandising that targets children.
Comics people will already know what is being billed as (and probably is) Maurice Sendak’s Final Interview. (It was conducted in 2011, and he died last May.) So, I’m writing this for all the children’s literature people out there: here’s why you might want to read this interview, which appears in the latest issue (no.
Meet the Niblings, a new blog consortium (found on both Facebook and Twitter), representing Seven Impossible Things Before Breakfast (Julie Danielson, a.k.a. Jules), A Fuse #8 Production (Betsy Bird), Nine Kinds of Pie (yours truly), and 100 Scope Notes (Travis Jonker). We considered calling ourselves “100 Notes on Why 7 8 9,” but, happily, the group liked my suggestion of “The Niblings.” Our
Lane Smith’s Abe Lincoln’s Dream invites us, with America’s 16th president, to travel through dreams and corny jokes, and to consider the state of the nation. In a tone that falls between the humor of his John, Paul, George and Ben (2006) and the reflective mood of the Caldecott-Honor Grandpa Green (2011), Smith’s latest picture
Antonio Frasconi, woodcut artist and children’s-book illustrator, died on January 9th at the age of 93. I heard about it this morning, but I’ve yet to find a full obituary (apart from this brief notice by Joey of Purchase College). So, I’m writing a few words. He was born in Buenos Aires, to Franco Frasconi