The Colors of Madeleine

If you have yet to read Jaclyn Moriarty‘s The Colors of Madeleine trilogy, then many pleasures await you. The third volume – A Tangle of Gold – was just published last month. It is fantasy that remains fully grounded in everyday experience. It has characters that I enjoy spending time with. It is about growing up, it asks

MLA 2017 Call for Papers! Border Conflicts: Migration, Refugees, and Diaspora in Children’s Literature

In September 2015, photos of 3-year-old Alan Kurdi – his corpse washed ashore on a Turkish beach – came to symbolize the urgency of the Syrian refugee crisis. World leaders promised to do more, people debated whether printing the pictures was appropriate, and charities experienced a surge in donations. In children’s literature, the figure of

Was the Cat in the Hat Black?: The Hidden Racism of Children’s Literature, and Why We Need Diverse Books

Here’s some news I’ve been itching to share: Oxford University Press will publish my next book, Was the Cat in the Hat Black?: The Hidden Racism of Children’s Literature, and Why We Need Diverse Books. Also, this coming Monday, I will be turning in (to Oxford) the complete manuscript of the book. Though it’s too

Children’s Literature and Comics/Graphic Novels at MLA 2016

Attending MLA in Austin, Texas this January? These are all MLA sessions devoted* to children’s literature, children’s culture, or comics/graphic novels. There are other panels with individual papers on these subjects, but (to the best of my knowledge) these are the sole panels with a central focus on these areas of inquiry. If I’ve missed any

Sergio Ruzzier, Two Mice (2015): cover

27 Words + 18 Watercolor Pictures + 2 Mice = 1 Great Book

Sergio Ruzzier’s Two Mice (Clarion, 2015) exemplifies the elegant efficiency of the picture book. Illustrate just the right moments in the narrative, add a few well-placed words, and you can create an engaging, imaginatively rich story. Well, I say you. But, most likely, you can’t. Most of us can’t. I certainly can’t. Remarkably, Sergio Ruzzier

Christopher Myers, Kansas State University, 22 Oct 2015

Disagreement, Difference, Diversity: A Talk by Christopher Myers

This is not the title of the talk that Christopher Myers gave here on Thursday. It was called “Please Don’t Agree with Me: the Need for Disagreement in Debates About Literature for Young People.” However, I’ve aligned these three words – disagreement, difference, diversity – in my title because one of Myers’s central points is

Lane Smith: Harold & It's a Little Book

Harold is 60. So is his purple crayon.

For Crockett Johnson‘s 109th birthday (today!), we’re celebrating Harold’s 60th birthday… with a few tributes from other artists. URNewYork (2esae & Ski) First, it’s graffiti artist URNewYork (2esae & Ski), as photographed by Michael Weinstein for C.J. Hughes’ “The East Village Embraces a Colorful Past” (New York Times, 9 Nov. 2015). The art appeared in an

NYU Press

Innocent Children and Frightened Adults: Why Censorship Fails (at From The Square: The NYU Press Blog)

In recognition of the American Library Association’s Banned Books Week, I’ve written a short piece for From the Square: The NYU Press Blog.  It’s called “Innocent Children and Frightened Adults: Why Censorship Fails.”  Here’s a brief excerpt: While censorship will not keep young people safe, censors and would-be censors are right about two things. First,