When his roommate, Robert McCloskey, wanted to study ducklings for his next book, Marc Simont let him adopt a whole group of them. McCloskey followed them around their small Greenwich Village apartment, sketching each one from all angles – work that would help make his Caldecott-winning Make Way for Ducklings (1941) a classic. Simont would
It looks like the collected works of Maurice Sendak have exploded all over my office… because I’ve just finished a draft of an article on Sendak – one of many pieces I agreed to write this summer (and one reason why this blog has been so quiet lately). He was one of our most articulate
On the first anniversary of Maurice Sendak’s passing, I’ve gathered here some posts for those who want to consider what he has meant and continues to mean – as an artist, a writer, and (for those who knew him) a friend. It’s strange to think that it’s been a full year since he passed away.
In his foreword to My Brother’s Book (2012), Stephen Greenblatt suggests that Shakespeare is the major influence on Maurice Sendak’s final competed work. But Blake loomed much larger in Sendak’s visual imagination. He collected rare Blake manuscripts, drawings, watercolors, illuminated books, and prints, read biographies of Blake, and studied his art and poetry. In this
Comics people will already know what is being billed as (and probably is) Maurice Sendak’s Final Interview. (It was conducted in 2011, and he died last May.) So, I’m writing this for all the children’s literature people out there: here’s why you might want to read this interview, which appears in the latest issue (no.
Here is a mix to celebrate the publication of my new biography, Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature (2012). Its official publication date is today (Sept. 1st), though it’s actually been available for a few weeks now. Given my own interest in music, it’s
Fitting that the passing of an artist should inspire so much art. Here are a few tributes to Maurice Sendak that I’ve enjoyed. (I’ve assembled links to prose tributes at the bottom of my reminiscence of Maurice; The Comics Journal has its own page of mostly prose tributes, too.) Pat Bagley This is easily my favorite,
But the wild things cried, “Oh, please don’t go– We’ll eat you up–we love you so!” And Max said, “No!” –Maurice Sendak, Where the Wild Things Are (1963) In June 2001, I went to hear Maurice Sendak speak at Yale University. A couple of years earlier, I’d started working on a biography of Crockett Johnson,
Many children’s writers and illustrators have created covers for albums. Below, we’ll look at a dozen or so of these artists. As is ever the case with any art posted on this website, the artwork belongs to the artists. Visit their websites! Buy prints! Buy their books! (I’ve included websites for each artist.) Enjoy! Saul
Bumble-Ardy gets adopted by his Aunt Adeline after his “immediate family gorged and gained weight. / And got ate.” When he throws himself a birthday party without her permission, Aunt Adeline threatens his guests: “Scat, get lost, vamoose, just scram! / Or else I’ll slice you into ham!” On the next two-page spread, Bumble tells