Was the Cat in the Hat Black?

Like Mickey Mouse and Bugs Bunny, Dr. Seuss’s Cat in the Hat owes a debt to blackface minstrelsy. In my “Was the Cat in the Hat Black?: Exploring Dr. Seuss’s Racial Imagination” (in the new issue of Children’s Literature), I explore the implications of this fact.  Here’s the opening paragraph: In 1955, Dr. Seuss and William Spaulding–director of

Dr. Seuss, from Oh, the Thinks You Can Think! (1975)

Oh, the Quotations You’ll Forge!

Every March 2nd, Americans celebrate the birthday of Dr. Seuss (a.k.a. Ted Geisel) by reading his work… and by sharing words he neither wrote nor said. I understand why. Seuss could be pithy. He’s far from the only aphoristic writer to be credited with phrases he didn’t coin. Mark Twain, Ghandi, Groucho Marx, and many

Happy Birthday to Dr. Seuss! A guest post by Charles D. Cohen

Happy Birthday to Dr. Seuss today! What do we know about Ted and birthdays?  We know that he wrote a birthday book.  Published on August 12, 1959, Happy Birthday To You was Ted’s first book with completely new characters in two years (since the Grinch–the two books that were published in between returned to previously created

How to Mispronounce “Dr. Seuss.”

Offering a great example of information without context, The Week‘s Amanda Green says we should not pronounce “Dr. Seuss” as “Doctor Soose” but as “Doctor Zoice.”  She’s wrong. The professional pseudonym of Theodor Seuss Geisel is Dr. Seuss, and all the English-speaking world pronounced it “Doctor Soose.”  If you pronounce it “Doctor Zoice,” you’ll sound

Dr. Seuss: children’s books “have a greater potential for good or evil, than any other form of literature on earth.”

Noting the rise in “adult” authors writing for children, Dr. Seuss in November 1960 published an article in which he argued that children’s books were more important than other types of books – because children’s books had the potential to be more influential than all other books. I’m reproducing it below exactly as it appeared

Dr. Seuss on “conditioned laughter,” racist humor, and why adults are “obsolete children”

In 1952, Dr. Seuss published an essay in which he pointedly critiqued racist humor. True, his own work – both before and after then – did contain stereotypes. In an essay that’s been languishing at American Quarterly since August 2010, I examine the conflict between Seuss’s progressive impulses and a visual imagination steeped in early

Seussology

I’m doing it again – teaching an entire course devoted to Dr. Seuss (the link in this sentence takes you to the current draft of the syllabus).  Art!  Politics!  Verse!  Nonsense!  Activism!  These are but some of the subjects we’ll explore in English 710: Dr. Seuss, a graduate-level course which begins on Wednesday. Aiming to