Graphic genius Chris Ware designed the cover for my Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature (due this September from the University Press of Mississippi). The front cover is above. The full, wrap-around cover is below. Click on it for a larger image. Trust me:
Many children’s writers and illustrators have created covers for albums. Below, we’ll look at a dozen or so of these artists. As is ever the case with any art posted on this website, the artwork belongs to the artists. Visit their websites! Buy prints! Buy their books! (I’ve included websites for each artist.) Enjoy! Saul
Harold takes his purple crayon to the walls of the Ben Franklin School, on Flax Hill, in Norwalk, Connecticut. The school houses the Head Start program. I’m told that the mural was painted by employees of Pepperidge Farm. The photos are all courtesy of Jackie Curtis, a friend of Ruth and Dave – a.k.a. Ruth
With thanks to the Children’s and Adolescent Literature Community (ChALC) for organizing the event and the Manhattan Public Library for hosting it, we held aMock Caldecott at this afternoon. Of course, we weren’t able to get all of the books we wanted to look at – so, there are certainly Caldecott candidates we didn’t get to review. Here are the top
For attendees of the 2011 American Studies Association Conference in Baltimore, a guided tour of the largest national repository for self-taught artistry.
To support President Franklin Delano Roosevelt’s 1944 re-election campaign, Syd Hoff, Crockett Johnson, Lynd Ward, Hugo Gellert, William Gropper, and fourteen other artists illustrated this booklet. The text is FDR’s speech made before the Teamsters Union on September 23rd, 1944 – also known as the “Fala speech,” since it features his dog, Fala. Here is
The problem with a blurb from Neil Gaiman on a cover is that, invoking Gaiman, it inevitably diminishes the book by comparison. This is not the book’s fault. Gaiman is one of our most gifted contemporary writers. Catherynne M. Valente may not be, but I wouldn’t even be thinking about the comparison if Gaiman’s endorsement
Coming from a U.S. state whose governor is working tirelessly to defund the arts, I’ve been delighted to see so much art in Brisbane, Australia – most of it at no cost to the visitor. Â GoMA’s Surrealism exhibit requires a ticket, but the rest of the museum has no admission fee. Â Back in the States,
Half-way through the “Surrealism: The Poetry of Dreams” exhibit at the Gallery of Modern Art (GoMA) here in Brisbane, museum-goers encounter this: A clever riff on the Surrealist game that exploits the mysteries of accidental juxtapositions, this mid-exhibit bar also offered a welcome rest to travel-weary visitors (such as your humble narrator, who visited the
The only edition of James Marshall’s The Three Little Pigs (1989) currently in print has been vandalized by its publisher, Grosset & Dunlap. In reprinting the book at 8” x 8” instead of its original 8.5” x 10.5”, the publisher has truncated images, altered the layout, changed the typeface, and removed the final illustration. Here’s