And now, a few notes from day 3 of Comic-Con 2013. A Simple Repast, Coming This Fall Jerry Griswold invited me for breakfast at the Broken Yolk, which (we discovered) had been leased by the TruTV television show (Impractical) Jokers. As we sat at the table, we noticed that a laminated advertisement fully covered the
Attention! Fellow and future members of the Elves, Gnomes, Leprechauns, and Little Men’s Chowder and Marching Society! If you’ll be at Comic-Con this week, stop by Fantagraphics, at Booth 1718 (see map below). Eric Reynolds (who co-edited Barnaby Volume One with me) and I will be there at these times. Thursday, July 18: 10-11:30 am.
Crockett Johnson’s Barnaby (1942-1952) was both fantasy and topical satire. As noted on an earlier post, each of Fantagraphics’ 5-volume Barnaby series will have notes to explain the topical comments and any other references that may elude the average reader. I’ve now finished the notes and Afterword for Barnaby Vol. 2: 1944-1945 (2014). Almost. There
Comics people will already know what is being billed as (and probably is) Maurice Sendak’s Final Interview. (It was conducted in 2011, and he died last May.) So, I’m writing this for all the children’s literature people out there: here’s why you might want to read this interview, which appears in the latest issue (no.
The book went to press earlier this month, and will be out in the spring. I can’t wait for you to see it. Crockett Johnson’s Barnaby Volume 1 is truly a thing of beauty. If you read any books published by Fantagraphics, this last sentence will not surprise you. But in case you are not
It’s hard to put into words what it means to spend over a dozen years on a book, and then be able to talk about it with smart, talented people whose work I admire. Saturday’s panel at the Small Press Expo – featuring Daniel Clowes, Mark Newgarden, Chris Ware, Eric Reynolds, and myself – was