Last year, there was Donald and the Golden Crayon, a satirical look at Mad King Donald, inspired by Crockett Johnson’s Harold and the Purple Crayon (1955). For more on that, see my interview with the book’s author and publisher from October 2018. This year, it’s Donald and the Black Sharpie, in which at least four five six people have invoked Johnson’s hero to
Today (20 Oct. 2018) would be Crockett Johnson’s 112th birthday. In commemoration of that event, here is the second of two posts for you! The first was an interview with the author and the publisher of the new satirical book Donald and the Golden Crayon. The second – below – is a Harold collection featuring
Today (20 Oct. 2018) would be Crockett Johnson’s 112th birthday. In commemoration of that event, I have two – yes, two – posts for you! The first is an interview with the author and the publisher of the new satirical book Donald and the Golden Crayon. Enjoy! “In the middle of the night, Donald woke
Today is the 111th birthday of Crockett Johnson (1906-1975). To celebrate, let’s take a deep dive in his oeuvre – looking at one of his lesser-known books, This Rich World. The popular story is that Crockett Johnson began creating books for children when he illustrated Ruth Krauss’s The Carrot Seed (1945). This is a compelling
Good news: I’ve finished the Afterword and Notes for Crockett Johnson‘s Barnaby Volume Four: 1948-1949 (co-edited with Eric Reynolds, and coming next year from Fantagraphics)! Revision to first sentence: we might put “finished” in quotation marks because there are a few references that stump me. Perhaps you can help? At the back of each book,
To celebrate Crockett Johnson‘s 110th birthday, I offer some advice on how to read Harold and the Purple Crayon (1955). Sort of. This is not so much “advice” as it is a glimpse of my work-in-progress, How to Read Harold: A Purple Crayon, Crockett Johnson, and the Making of a Children’s Classic. The book (when
You may not know the name Morton Schindel, but you certainly know the people he worked with. At his Weston Woods Studios, using his “iconographic” technique, he adapted works by Maurice Sendak, Robert McCloskey, James Daugherty, Ezra Jack Keats, Tomi Ungerer, and William Steig, among others. His film of Steig’s Doctor De Soto was nominated
74 years ago this month, five-year-old Barnaby Baxter wished for a fairy godmother. Instead, Mr. O’Malley – a loquacious, endearing, pink-winged con-artist – flew through Barnaby’s (open) bedroom window, and announced himself as the lad’s fairy godfather. For the next ten years, devoted readers of Crockett Johnson‘s Barnaby saw O’Malley elected to congress, running a
For Crockett Johnson‘s 109th birthday (today!), we’re celebrating Harold’s 60th birthday… with a few tributes from other artists. URNewYork (2esae & Ski) First, it’s graffiti artist URNewYork (2esae & Ski), as photographed by Michael Weinstein for C.J. Hughes’ “The East Village Embraces a Colorful Past” (New York Times, 9 Nov. 2015). The art appeared in an
I’m honored to be a part of The Iowa Review‘s special section on children’s literature, and even more honored that the journal has chosen to feature my essay on-line, for free. Two and a half years ago, “A Manifesto for Children’s Literature; or, Reading Harold as a Teen-Ager” began as a blog post. It means